Thursday, February 27, 2014

Is this really art?




I cannot help myself sometimes to wonder whether or not what I do is really art.  I am driven by  inexplicable forces to go out and do what I do in the name of art.  It makes perfect sense to me, however, when I try to explain my process to my 8 year old daughter, it seems less convincing.  You be the judge!  

Earlier this week, I spent 3 days riding my motorcycle throughout the Los Padres national forest, scouting for a location for an 'art' installation that I would like to construct in the deep back country in mid-March 2014.  And by 'deep backcountry' I am talking about a  2 or 3 hour motorcycle ride on old fire roads and motor cycle trails away from town and country.  

I started my scout on Monday morning in the Ojai ranger district at the south end of the Los Padres National forest.  By the way, the Los Padres national forest is bigger than you might think. It is the mountain range that runs from Oxnard, California in the South to Monterey, California in the North.  I followed the Ortega trail and camped at the Ortega camp. I am not too sure of the history of this trail, but I can tell you that it was beautiful and hard to travel.  It was fantastic.

The following day, I left the Ojai district and descended to the coast.  I road north to Santa Barbara and set my sights on a trail named Divide Peak, which was essentially a washed out road that followed the entire ridge of mountains that can be seen from Santa Barbara and Carpenteria. 

I followed  the Divide Peak trail for two and half hours and then made a sprint to the San Ynez Ranger District north east of Santa Barbara.  Weather was coming in fast and my ride took me through the clouds.
I made it to the valley around 5 pm.  At the end of a paved road in the foot hills  I jumped on to a motorcycle only trail that continued up into the mountains.  I rode 4 miles and then camped for the night at a wonderful place called Hidden Portero.  
The following morning I woke up before sunrise and rode my motorcycle 20 miles into the back country to the very top of the mountains and beyond.  I had reached my turn around point(based on a finite amount of gasoline).  I rode down the mountain and back to Santa Monica, excited about the location that I had found.


Look for a post in the next month, of the installation that I will build at my chosen far away place.  In the mean time, please check out the water color paintings that I made along the way.  These works on paper are field studies and can be seen and purchased at my website at the following link: Field Studies

Monday, February 3, 2014

NYC inspired sculptures

In the summer of 2002 my family and I visited New York City.  As one does, I did a lot of walking in the city.  There are a lot of road construction sites in that city. Construction crews were using large timbers, painted white with red strips, as barriers and traffic control.  This has stuck with me, and once back in my studio, I started creating sculptures that were inspired by what I had seen in NYC.
'Sweden vs. NYC'-2013

'Turn Here or There'-2013

The sculptures are made from re-claimed construction timbers that have been joined together with chisel and mallet joint work.  They are painted in high gloss exterior acrylic paint.  As it turns out, 'Turn Here or There' makes for a pretty great outdoor love seat.  The sculptures are attached to steel plates that can be bolted to a concrete footing or pad.

After completion of these two pieces, I had a lot of cut-off sections of construction timber.  I have used all of the scrap pieces to make a bunch of wonderful small sculptures.  These woodblock sculptures were made with a japanese pull saw, chisels, a file, and an old Rockwell band saw.  They have all been sanded and protected with two coats of varnish. You can see the rest of the wood block series at my website on the 'available work' page(link below):

AVAILABLE ART WORK
Woodblock series #12130

Sunday, February 2, 2014

Lost coast really was lost art

Wow, it has been almost 6 years since I traveled with a team to the Lost Coast in Northern California to create several installations.  The project, was part of a series of works that I call 'Lost Art.'  Sadly, the photographs and imagery from that expedition have in fact become lost art.  Life can be very busy sometimes, and it is now 2014 and I have yet to share any images of the wonderful installations that were built in October 2008.  This is going to change, and here is the start:
'Low Tide'-2008 Lost Coast, California-Installation View
Here is wonderful installation view of an installation named 'Low Tide.'  Built at low tide, this sculpture took the rising tide head on and did not fall until it was almost completely covered by water.  It was amazing.  I though that the first waves would knock the boulder off of it's stacked driftwood pedestal, but it was just too strong and too heavy.  Look soon, for a film that I am working on that covers the sculptures battle against the sea.  In the meantime, please check out my recently launched visual arts website at the link below:


Wednesday, October 24, 2012

Falling back to work


It has been a long summer.  So many great days in nature.  Family Travel tip:  Get to the south end of the Los Padres National Forest -the mountain range to the east of Santa Barbara. There are bunch of different access points and water sources.  We found great pools and waterfalls in the middle of summer.  Wow, totally  perfect.  I was surprised at how vast this range extends.  There are so many places to visit.  Just choose one and go.

My work loves Autumn, and Autumn can go fast.  There is now a short window of time to complete my next sculpture, before winter snows.  Please check back in to see images of a sculpture that I have been planning for the last 6 months.  
Los Padres National Forest

Monday, October 3, 2011

Lost Art-Eastern Sierra Nevada

The Sierra Nevada is a mountain range located in California and Nevada that is over 400 miles in length and is the home to many tall peaks including Mount Whitney(14,505 feet), the tallest mountain in the contiguous United States. During the late summer month of August, I embarked on a multi-day trek into the heart of the eastern Sierra. The trip started outside of the town of Independence at a trail head named Onion Valley and finished over a week later at the top of Mount Whitney. The purpose of the trip was to create art works along the way, ephemeral installations, as part of my "Lost Art" series.

View from Forester Pass 13200 feet
Photographer: Christopher Casanova
Kings Canyon National Park, California
August 2011

My intention was to complete a piece everyday, however, due to foul weather and general exhaustion, I completed only two sculptures. I had grossly underestimated the Sierra Nevada mountains. The extreme altitudes and grueling climbs made it difficult to just survive.

"Forester" Installation View #1
Artist: Christopher Casanova
Kings Canyon National Park, California
Materials: Tree trunk and stones
August 2011



"Forester" Installation View #2-Sunset
Artist: Christopher Casanova
Kings Canyon National Park, California
Materials: Tree trunk and stones
August 2011

"Forester" Installation View #3-Silhouette
Artist: Christopher Casanova
Kings Canyon National Park, California
Materials: Tree trunk and stones
August 2011

My initial idea was to make sculptures that involved the setting or rising sun. Working with tools that estimated the exact position of the sun at sunrise and sunset, my plan was to construct installations with windows that would frame the rising or setting sun.

It was so beautiful and pure that at first, I had difficulty imaging what I could possibly construct. It was very important to me that what ever I made would indeed disappear on its own. These places can only be visited by foot or in some cases horse back, and are untouched by any thing but nature. I wanted to leave no trace and work with elements that were already in some state of erosion.

At the higher altitudes, above the tree line, I started to find these really beautiful sections of tree trunks, that were bleached by the sun. I gathered stones and built walls that incorporated these tree trunks. The end result were these sculptures with windows. I discovered that they were beautiful with full light, very interesting with the sun shining through the windows and provocative back lit seen as silhouettes. I was very happy with the results.

"Big Horn" Installation View #1
Artist: Christopher Casanova
Kings Canyon National Park, California
Materials: Tree trunk and stones
August 2011

"Big Horn" Installation View #2-Sunrise
Artist: Christopher Casanova
Kings Canyon National Park, California
Materials: Tree trunk and stones
August 2011

"Big Horn" Installation View #3-Silhouette
Artist: Christopher Casanova
Kings Canyon National Park, California
Materials: Tree trunk and stones
August 2011

Wednesday, July 27, 2011

"Deuk Arches" and "Water Will Find Away"

In January 2010, I visited the Deukmaejian Wilderness for the first time. The wilderness area had been completely devastated eight months earlier by the infamous Station fires. The fires had burned everything to the ground and the winter rains that followed caused such an extreme amount of erosion that the once well maintained trails and park were completely obliterated. Nature had pushed the "reset" button.

I had been invited to participate in an exhibition to raise money to rebuild the wilderness park.
The exhibition was a great success. I presented a video "Water Will Find a Way," and
photographs of an installation, named "Deuk Arches," that I had built in a remote section of the Dunsmore creek more than two miles up into the steep ashy mountain. The installation, consisted of six arches built over the the babbling creek, and was built during a three day two night stay in April.
















"Deuk Arches" Installation View #1
Artist: Christopher Casanova
Deukmaejian Wilderness Park
San Gabriel Mountains, California
Materials: River Stones



"Deuk Arches" Installation View #2
Artist: Christopher Casanova
Deukmaejian Wilderness Park
San Gabriel Mountains, California
Materials: River Stones




"Deuk Arches" Installation View #3
Artist: Christopher Casanova
Deukmaejian Wilderness Park
San Gabriel Mountains, California
Materials: River Stones


I have visited the park several times since the completion of the piece. It is amazing how quickly nature begins again. It seems to have started slowly, with just wildflowers and grass, but is now a vibrant young forested area again. When I last visited in May of 2011, four of the six arches were still intact.


"Water Will Find A Way"
Artist: Christopher Casanova
Deukmaejian Wilderness Park
San Gabriel Mountains, California

Monday, March 22, 2010

"Nothing Came To Mind" March 2010

"Nothing Came To Mind" is an installation that was created in the parking lot of my studio at the Santa Monica Airport. The installation was built in coordination with the 4th annual art walk. The timbers are supported by mini-structures and are mortised together. Some of the joints were bolted together, in order to insure that the structure was sturdy enough for adults and children to climb. The space created by the intersecting timbers became a very inviting environment for people to sit, recline, and reflect. The installation was on display for one week.

"Nothing Came To Mind" installation view(A)
Artist: Christopher Casanova
Santa Monica, California 2010
Dimensions: 11 feet x 11 feet
Materials: Recycled structural timbers, steel, aluminum

"Nothing Came To Mind" installation view(B)
Artist: Christopher Casanova
Santa Monica, California 2010
Dimensions: 11 feet x 11 feet
Materials: Recycled structural timbers, steel, aluminum